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The trade-book trap
First impressions matter a lot, according to the psychological concept of anchoring, a cognitive bias that describes our tendency to rely too much on the first piece of information we’re given. Continue reading “The trade-book trap”
At least it’s almost over?
Yeah, I know. This cartoon has nothing to do with editing or publishing. I’d considered a more subtle “Let’s mark up 2016 with a dele and an editorial note saying something like ‘Unrealistic’ or ‘Too dark,'” but that joke’s been played out on social media. Here, then, are my raw feelings about this horror show of a year. Let’s hope things get better.
Love to you and yours this holiday season.
App
Cookbook editing (Editors BC meeting)
October’s Editors BC meeting featured a panel on cookbook editing including
- Jesse Marchand, editing instructor in SFU’s Editing Certificate program and former associate publisher of Whitecap Books,
- Denise Marchessault, a classically trained cook and co-author of British Columbia from Scratch, a cookbook with a focus on local, seasonal ingredients, and
- Lana Okerlund, partner of West Coast Editorial Associates and editor for such cookbook publishers as Appetite by Random House and Figure 1 Publishing.
Greg Younging—Indigenous editorial issues
Greg Younging, member of Opaskwayak Cree Nation in Northern Manitoba and publisher of Theytus Books, led an engaging, eye-opening seminar on Indigenous editorial issues for members of the Association of Book Publishers of BC (ABPBC), which invited Editors BC to join in. Younging was Assistant Director of Research for the federal government’s Truth and Reconciliation Commission (TRC) and is chair of the Indigenous Peoples’ Caucus of the Creator’s Rights Alliance. His seminar was a perfect balance of important historical context and practical suggestions. I’ll do my best to recap the highlights, but if you ever get the opportunity to attend this seminar or more in-depth training through the Indigenous Editors Circle (formerly Aboriginal Editors Circle), I’d highly recommend taking it. Continue reading “Greg Younging—Indigenous editorial issues”
Markup
Graphic storytelling
At this year’s Alcuin Awards ceremony, Robin McConnell, host of the Inkstuds podcast, moderated a captivating panel on graphic storytelling featuring:
- Sarah Leavitt, author and illustrator of Tangles, her memoir about her mother, who died of Alzheimer’s disease;
- Nick Bantock, perhaps best known for his Griffin and Sabine books, the first of which came out in 1991 and the most recent of which—the seventh in the series—was released this year; and
- Johnnie Christmas, author and illustrator of Firebug, who recently collaborated with Margaret Atwood on the graphic novel Angel Catbird.
Four levels to accessible communications
I presented this four-level accessibility framework at a few academic conferences this year, and some people have requested a non-academic summary, so here it is. I’ll leave out the methodology details, but if you’re curious about them, please get in touch!
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Is your communication accessible? This question can be tricky to answer, because access means different things to different people. By analyzing the themes in a series of articles about accessibility, I’ve found that most definitions of access fit under four main categories, and I’ve organized these into a framework I use as a checklist of sorts when I create communications (pamphlets, books, videos, podcasts, webinars, etc.) for the general public. I hope you’ll find it helpful, and I welcome suggestions to make it better.
The four levels are:
- discovery—can users find your communication?
- acquisition—can users get your communication?
- use—can users use your communication?
- comprehension—can users understand your communication?
#EditorProblems
I used this hashtag in a tweet about a perennial editorial irritant and figured I’d make it into a one-framer:
Once I made the blank, I immediately found other uses for it—recurring #EditorProblems that probably don’t merit their own strip: Continue reading “#EditorProblems”