Gregory Younging is a member of Opaskwayak Cree Nation in Northern Manitoba and is a faculty member at the University of British Columbia Okanagan in the Indigenous Studies Program. He has an MA from Carlton University, an MPub from Simon Fraser University, and a PhD from the University of British Columbia. He was the managing editor of Theytus Books between 1990 and 2004 and served as assistant director of research for the Truth and Reconciliation Commission of Canada.
Younging held a workshop on Indigenous editorial issues last fall for the Association of Book Publishers of BC (ABPBC), and it was one of the most edifying professional development events I’ve ever attended. I learned then that he intended to publish the Indigenous style guide he’s been organically compiling for the past couple of decades. Now that book is available for pre-order. Continue reading “Greg Younging—Elements of Indigenous Style”
Sean Muir is the executive director of the Healthy Aboriginal Network (HAN), which creates comic books and videos on health and social issues for Indigenous youth. Muir gave a public talk about his work with HAN at Douglas College.
Muir founded HAN after recognizing that brochures and pamphlets weren’t really reaching youth or connecting with the community, and he got tired of reading about parents who couldn’t buy healthy foods for their kids on reserve. He wanted to recreate the connection that kids have to their favourite books and movies: a relatable, enjoyable story. He aimed to give young people health and social information as narratives rather than as facts and figures. “Tell me a story. Tug at my heartstrings. Move me in some way, and maybe we can do something,” said Muir. Continue reading “Not just words: Comic books, health, and Indigenous youth”
Subject trends, like adult colouring books, which peaked in mid-2016 or so and have since declined, or the imported Danish trend of hygge, which was particularly popular in late 2016, can be interesting but usually pass within a year or two. White wanted to focus her talk on the broader changes in the publishing landscape.
“Traditional publishing is great,” said White, in that the industry is committed to best practices in editing and design. But when White and co-founder Jesse Finkelstein launched Page Two in 2013, it was out of a recognition that traditional publishing, which tends to be technophobic and slow to react to change, doesn’t serve everyone or every book. There are legitimate reasons people might want to self-publish, and Page Two wanted to help authors and organizations publish professionally by fully embracing all things digital and being interested in changes in publishing.
White highlighted a few key trends: Continue reading “Trena White—Trends in book publishing (Editors BC meeting)”
October’s Editors BC meeting featured a panel on cookbook editing including
- Jesse Marchand, editing instructor in SFU’s Editing Certificate program and former associate publisher of Whitecap Books,
- Denise Marchessault, a classically trained cook and co-author of British Columbia from Scratch, a cookbook with a focus on local, seasonal ingredients, and
- Lana Okerlund, partner of West Coast Editorial Associates and editor for such cookbook publishers as Appetite by Random House and Figure 1 Publishing.
Greg Younging, member of Opaskwayak Cree Nation in Northern Manitoba and publisher of Theytus Books, led an engaging, eye-opening seminar on Indigenous editorial issues for members of the Association of Book Publishers of BC (ABPBC), which invited Editors BC to join in. Younging was Assistant Director of Research for the federal government’s Truth and Reconciliation Commission (TRC) and is chair of the Indigenous Peoples’ Caucus of the Creator’s Rights Alliance. His seminar was a perfect balance of important historical context and practical suggestions. I’ll do my best to recap the highlights, but if you ever get the opportunity to attend this seminar or more in-depth training through the Indigenous Editors Circle (formerly Aboriginal Editors Circle), I’d highly recommend taking it. Continue reading “Greg Younging—Indigenous editorial issues”
- Sarah Leavitt, author and illustrator of Tangles, her memoir about her mother, who died of Alzheimer’s disease;
- Nick Bantock, perhaps best known for his Griffin and Sabine books, the first of which came out in 1991 and the most recent of which—the seventh in the series—was released this year; and
- Johnnie Christmas, author and illustrator of Firebug, who recently collaborated with Margaret Atwood on the graphic novel Angel Catbird.
For the stereotypically introverted editor, marketing and promotion can feel unnatural and effortful. This discomfort has obvious consequences for a freelancer who’s always on the lookout for the next contract, but it can also hurt in-house editors: when editorial departments aren’t vocal about their function within the larger organization, their work may be ignored or undervalued. Continue reading “Everybody in the house make some noise”
Once relegated to nerdy subculturedom, comics have finally come to be accepted as a legitimate literary and art form, said Jeff Burgess, who coordinates continuing studies visual arts at Langara College. Tintin expert Benoît Peeters’s appointment as Comics Professor at Lancaster University shows a growing academic commitment to studying comic book art, and the vibrant comics landscape has birthed such collaborations as Angel Catbird, co-created by Margaret Atwood and Johnnie Christmas.
At the Editors Canada conference, Burgess moderated a panel featuring Jeff Ellis, Jonathon Dalton, and Robin Thompson, all artists in the genre and instructors in Langara’s Graphic Novels and Comix certificate program. Continue reading “Graphic novels and comics: creation, editing, and promotion (Editors Canada 2016)”